Drytac Laminating Film - Artshield

Protect and enhance your art prints, photographs, and laminated artwork with Drytac Artshield Laminating Films, designed to deliver a premium non-glare finish ideal for galleries, exhibitions, and any setting with challenging lighting conditions. These high-quality laminating films come in various thicknesses, 3 mil, 4 mil, and 5 mil, and offer multiple finishes including gloss UV, matte UV, pebble textured matte, and embossed canvas matte, providing versatile options to suit different artistic styles and preservation needs. Perfect for artists, photographers, and professionals seeking to preserve and showcase their work without distracting reflections, Artshield films ensure vibrant colors and sharp details remain visible under direct light. Shop at MyBinding.com for a wide selection of sizes and finishes, competitive pricing, and fast, reliable shipping, making it easy to find the perfect laminating film to protect and present your artwork with confidence.

Drytac Laminating Film - Artshield

Protect and enhance your art prints, photographs, and laminated artwork with Drytac Artshield Laminating Films, designed to deliver a premium non-glare finish ideal for galleries, exhibitions, and any setting with challenging lighting conditions. These high-quality...

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Drytac

Item#: SX41300PP

$842.25

features

  • Exceptional UV protection to preserve and enhance the quality of your prints and photographs.
  • Durable 3mil thickness ensures long-lasting protection without sacrificing flexibility.
  • Compatible with most thermal roll laminators featuring a convenient 3" core for easy application.
  • Moisture stable paper release liner and low initial tack for a smooth, hassle-free laminating experience.
$842.25
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Drytac

Item#: SX25300PP

$487.34

features

  • Film Finish: Semi-Gloss
  • Film Thickness: 3mil
  • Intial Tack: Low
  • Dwell Time: 2-6 minutes
$487.34
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Drytac

Item#: SX51300PP

$937.97

features

  • Film Finish: Semi-Gloss
  • Film Thickness: 3mil
  • Initial Tack: Low
  • Dwell Time: 2-6 minutes
$937.97
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Drytac

Item#: PHG54098-10

$1,137.60

features

  • Size: 54" x 98'
  • Thickness:10.0mil
  • Film: High Gloss Finish
  • Adhesive: Pressure Sensitive, Solvent Acrylic
$1,137.60
Drytac

features

  • Film Finish: Matte
  • Film Thickness: 4mil
  • Initial Tack: Low
  • Application Speed: 1'- 6' (0.3m - 1.75m) per minute
Starting at $516.61
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Drytac

features

  • Film Finish: Semi-Matte
  • Film Thickness: 3mil
  • Hot or Cold: Hot
  • Dwell Time: 2-6 minutes
Starting at $117.29

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Frequently Asked Questions

The best finish depends on the image, lighting, and desired viewing experience. Gloss can increase apparent depth and color saturation, which may suit photographs and vivid artwork, but it also produces stronger reflections. Matte or non glare film can make images easier to view under spotlights, windows, or gallery lighting, though the surface may reduce some contrast. The wider pressure sensitive laminating film category includes different visual finishes and protection levels. Test each finish directly on a representative print rather than selecting from a description alone. Fine details, dark colors, textured media, and large areas of solid ink can react differently once an overlaminate is applied.

Silvering appears as tiny reflective areas where the adhesive has not made complete visual contact with the print. It can be more noticeable over dark colors and smooth, high contrast graphics. Keep the print and rollers clean, allow printed media to dry or outgas fully, and apply steady, even pressure. Cold materials may need time to settle after lamination, so evaluate the result after the adhesive has had an opportunity to flow. Excessive application speed, low pressure, dust, and textured media can make silvering more visible. Do not compensate by adding heat unless the film instructions permit it. A short test strip should be processed through the same printer, media, ink, and laminator setup before valuable work is finished.

Use a roll laminator capable of applying controlled, even pressure across the chosen width. The machine must accept the film’s core size, roll diameter, and total material thickness. A take-up system for the release liner can improve handling during longer runs. Cold pressure-sensitive roll laminators are designed for pressure-sensitive films and heat-sensitive graphics. Keep the rollers clean and parallel because uneven pressure may create wrinkles, bubbles, or poor edge adhesion. The print should enter straight and remain under consistent tension. For small or irregular work, a slower application speed gives the operator more control. Confirm all machine settings with a test before processing original artwork or expensive photographic output.

Allow enough width for straight tracking and clean trimming, but avoid excessive overhang that increases waste. When the laminate is intended only to protect the face of the print, it can be trimmed flush after application if the finished construction allows it. When edge sealing is required, the film and backing must extend beyond the image so the layers can bond around the perimeter. The necessary border depends on the installation and exposure conditions. A display mounted indoors has different edge requirements from a graphic exposed to moisture or frequent cleaning. Measure the complete finishing process before selecting roll width. Include the print, alignment allowance, mounting method, and final trimming plan rather than ordering according to image width alone.

UV protection is useful when artwork or photographs will remain near windows, under strong display lighting, or in locations where replacement would be difficult. It can reduce the rate of fading, but the original ink and media still play a major role in longevity. UV-protected laminating film can provide added protection for printed graphics, photographs, signage, and other materials exposed to light. Consider whether the work is an original, reproduction, temporary display, or long-term installation. Valuable or irreplaceable pieces may require conservation guidance rather than permanent lamination. For commercial prints, test the film’s visual effect, adhesion, and removability requirements before finishing the entire production run.